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Unlearning with translation: a critical collective practice Sunniva Hestenes he is the first living Valeurs:50,00 € he is the first living photographer to have a solo exhibition at the Metropolitan Museum of Art in New York since Alfred Stieglitz The Mediterranean has never been a border the ambiguous notion of “untranslatability” is used as a lens through which to examine the power relations at play in those institutional which relies on translation as a tool for the production and publication of situated knowledge in three languages – French
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